Projects
“Φόρημα”
The installation, “Φόρημα”, a series of visual works with a dress as a central element, is a tribute to the victims of femicides. “Φόρημα” [Phórēma], is the ancient Greek word describing that “which is worn”. Literally, it means load or burden. It becomes “Φόρεμα” [Fórema] in modern Greek, and is generally translated into English as dress. (2021-2023)
The work has not been presented yet.
Imprints
A common work on the same imprint, using different media and technics.
Wall works, dimensions 200 x 150 cm each, mixed media (paper pencils, ink, digital photos, Plexiglas), 2023
Ἅιδης μοῦνος
Installation, 2023
Am I Standing or Flying?
Are the feet solid ground contact points? Or do they look aeolian and expendable, projecting the sexual drive into their shape or the shape of their empty space?
The work was presented in the exhibition TIPPING POINT organized by TidalFlowArt στο TAF, Athens, Greece between 8/6/2023 – 17/6/2023
Water Carrot with coordinates 37°51'26.7"N 23°38'37.4"E
“Carrot” is the cylindrical borehole sample showing the geological stratification of the subsurface.
The “Carrot of water …” is a hypothetical approach of the Saronic Gulf future.
The garbage collected at beaches of Attica region, have the color quality of tesserae, which in the presence of light acquire the essence of an art work.
The work was first presented in the exhibition “Cases of Hyle” in Athens, 28/9/22-12/10/22
Iokasti's Womb
When laws and institutions turn a “womb” into an unclean complex, then this mothers unknowingly tragic burdened people.
Τhe work refers to the position of women in a patriarchal society and under conditions of confinement.
First presentation at the SPHINX 2021 Biennale, “ANTIGONE – LIMITS AND BORDERS” in Thebes, Greece
Evagelismos
The “Museum of Modern Greek suicides” was created by the Academia-Romantica of Athens, within the framework of the project “Aponenoimeno Sintagma” (“Desperate Constitution”), and it based on the research of the digitized Press Archive of the last two centuries, for the re-enchantment of life, as the organizers said.
RefrACTionART participate with our work “Evagelismos”(“Annunciation”) dedicated to the memory of the “beautiful” Sultana (24 years old), who chose her departure to be followed by a “announcement of good news” on March 24, 1908.
(25th of March is the Annunciation day in the Greek Orthodox religion)
The work was presented at “Museum of Modern Greek suicides” Sozopolis/ Sozopoleos 15 Athens, 2022
ΥΔΡΟΜΑΣΑΖ
Was art ever independent? What are the limits of the artwork?
The performance lecture “Hydromassage” by Lydias Margaronis and Ekaterinis Kriezis, poses questions and statements regarding the formation of Aesthetics in Art, with an arbitrary reference between the conditions and the decisions of Trotsky and Breton manifesto “For an Independent Revolutionary Art” from 1938, with today’s era. (page is in Greek)
Presented in Sozopolis, Athens, 2023
Absence
Since March 2020, when mask and isolation came into our lives, we, the artists have been placed in a peculiar enclosure, beyond the lockdown. The enclosure in our own art, reflecting on our existence and the position of art, as it was violently shaped by the presence of covid19. (2021)
At the beach
The work is composed by material, garages found on a beach in Attika area, 2018.